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Dead Pool - 2021
- Thread starter det107
- Start date
ConwayMuddy
Dis member
Faster horses
Fullsize80cherokee
Red Skull Member
rip tom t hall. I listen to Willies roadhouse on SXmas a lot and loved his music
akguy09
PITA
I had the pleasure of taking Joe on a Patrol in Iraq in 2005, absolutely awesome guy.Joe Galloway
Journalist Joe Galloway, chronicler of Vietnam War, dies
American foreign correspondent Joseph L. Galloway, best known for his book recounting a pivotal battle in the Vietnam War, has died. He was 79.apnews.com
Captain Call
No
Charlie Watts from the Stones has kicked the bucket.
Roc Doc
2A SNBI
I knew he was not going to make the tour, but all the press releases made it sound like he wasn't that sick.Charlie Watts, Rolling Stones Drummer, Dies at 80
On August 4, Watts abruptly withdrew from the Stones’ upcoming pandemic-postponed U.S. tour, citing the need to recover from an unspecified but “successful” recent medical procedure. A spokesperson said, “Charlie has had a procedure which was completely successful, but I gather his doctors this week concluded that he now needs proper rest and recuperation. With rehearsals starting in a couple of weeks it’s very disappointing to say the least, but it’s also fair to say no one saw this coming.”
Watts had generally been healthy throughout his entire career with the Stones. He was stricken with throat cancer in 2004 but successfully recovered, and suffered from substance abuse in the 1970s and ’80s, but beat that as well.
Universally recognized as one of the greatest rock drummers of all time, Watts and guitarist Keith Richards have been the core of the Rolling Stones’ instrumental sound: Richards spends upwards of half the group’s concerts turned around, facing Watts, bobbing his head to the drummer’s rhythm. A 2012 review of a Rolling Stones concert reads in part: “For all of Mick and Keith’s supremacy, there’s no question that the heart of this band is and will always be Watts: At 71, his whipcrack snare and preternatural sense of swing drive the songs with peerless authority, and define the contradictory uptight-laid-back-ness that’s at the heart of the Stones’ rhythm.” Watts was never a flashy drummer, but driving the beat for “The World’s Greatest Rock and Roll Band” for a two-hour set — in a stadium, no less — is an act of great physical endurance that Watts performed until he was 78.
His last concert with the group took place in Miami on August 30, 2019, although he did appear with the band during the April 2020 “One World Together” all-star livestream early in the pandemic. Reviewing a show earlier in the 2019 tour, Variety wrote, “Sitting at a minimalist kit and moving even more minimally with his casual jazz grip, [Watts looks] like the mild-mannered banker who no one in the heist movie realizes is the guy actually blowing up the vault.”
The wiry, basset-faced musician was a jazz-schooled player who came to the Stones through London’s “trad” scene of the early ‘60s. He was the missing piece in the group’s early lineup, joining in January 1963; with Jagger and Keith Richards, he remained a constant with “the World’s Greatest Rock ‘n’ Roll Band” on record and on stage for more than 50 years.
He provided nimble, energetic support on the band’s long run of dirty, blues- and R&B-based hits of the early and mid-‘60s. He reached the pinnacle of his prowess on a series of mature recordings, made with producer Jimmy Miller in the late ‘60s and early ‘70s, in which his sharp playing caromed off Richards’ serrated guitar riffs.
Charlie Watts, Rolling Stones Drummer, Dies at 80
CDA 455 II
ANFAQUE2
Charlie Watts, Rolling Stones Drummer, Dies at 80
On August 4, Watts abruptly withdrew from the Stones’ upcoming pandemic-postponed U.S. tour, citing the need to recover from an unspecified but “successful” recent medical procedure. A spokesperson said, “Charlie has had a procedure which was completely successful, but I gather his doctors this week concluded that he now needs proper rest and recuperation. With rehearsals starting in a couple of weeks it’s very disappointing to say the least, but it’s also fair to say no one saw this coming.”
Watts had generally been healthy throughout his entire career with the Stones. He was stricken with throat cancer in 2004 but successfully recovered, and suffered from substance abuse in the 1970s and ’80s, but beat that as well.
Universally recognized as one of the greatest rock drummers of all time, Watts and guitarist Keith Richards have been the core of the Rolling Stones’ instrumental sound: Richards spends upwards of half the group’s concerts turned around, facing Watts, bobbing his head to the drummer’s rhythm. A 2012 review of a Rolling Stones concert reads in part: “For all of Mick and Keith’s supremacy, there’s no question that the heart of this band is and will always be Watts: At 71, his whipcrack snare and preternatural sense of swing drive the songs with peerless authority, and define the contradictory uptight-laid-back-ness that’s at the heart of the Stones’ rhythm.” Watts was never a flashy drummer, but driving the beat for “The World’s Greatest Rock and Roll Band” for a two-hour set — in a stadium, no less — is an act of great physical endurance that Watts performed until he was 78.
His last concert with the group took place in Miami on August 30, 2019, although he did appear with the band during the April 2020 “One World Together” all-star livestream early in the pandemic. Reviewing a show earlier in the 2019 tour, Variety wrote, “Sitting at a minimalist kit and moving even more minimally with his casual jazz grip, [Watts looks] like the mild-mannered banker who no one in the heist movie realizes is the guy actually blowing up the vault.”
The wiry, basset-faced musician was a jazz-schooled player who came to the Stones through London’s “trad” scene of the early ‘60s. He was the missing piece in the group’s early lineup, joining in January 1963; with Jagger and Keith Richards, he remained a constant with “the World’s Greatest Rock ‘n’ Roll Band” on record and on stage for more than 50 years.
He provided nimble, energetic support on the band’s long run of dirty, blues- and R&B-based hits of the early and mid-‘60s. He reached the pinnacle of his prowess on a series of mature recordings, made with producer Jimmy Miller in the late ‘60s and early ‘70s, in which his sharp playing caromed off Richards’ serrated guitar riffs.
Charlie Watts, Rolling Stones Drummer, Dies at 80
😕😟😔
Roc Doc
2A SNBI
White drummers drum, and black drummers swing...except Charlie Watts, he swings." - Keith Richards
Roc Doc
2A SNBI
I know of more than a few juice-monkeys from the 80s and 90's that have died of blowed up hearts.
95stepside
Dumbskull
Ed Asner
abcnews.go.com
LOS ANGELES -- Ed Asner, the burly and prolific character actor who became a star in middle age as the gruff but lovable newsman Lou Grant, first in the hit comedy “The Mary Tyler Moore Show” and later in the drama “Lou Grant,” died Sunday. He was 91.
Asner's representative confirmed the actor's death in an email to The Associated Press. Asner's official Twitter account included a note from his children: “We are sorry to say that our beloved patriarch passed away this morning peacefully. Words cannot express the sadness we feel. With a kiss on your head- Goodnight dad. We love you.”
Built like the football lineman he once was, the balding Asner was a journeyman actor in films and TV when he was hired in 1970 to play Lou Grant on "The Mary Tyler Moore Show.” For seven seasons he was the rumpled boss to Moore’s ebullient Mary Richards (He called her “Mary,” she called him “Mr. Grant”) at the fictional Minneapolis TV newsroom where both worked. Later, he would play the role for five years on “Lou Grant.”
Asner’s character had caught on from the first episode of “Mary Tyler Moore,” when he told Mary in their initial meeting, “You’ve got spunk. ... I hate spunk!” The inspired cast included Ted Knight as Ted Baxter, the dimwitted news anchor; Gavin MacLeod as Murray Slaughter, the sarcastic news writer; and Betty White as the manipulative, sex-obsessed home show hostess Sue Ann Nivens. Valerie Harper and Cloris Leachman, playing Mary’s neighbors, both saw their characters spun off into their own shows.
Asner is the third “Mary Tyler Moore” alum to die in recent months. Leachman died in January and MacLeod died in May.
The 99-year-old White is the lone surviving main cast member from “Mary Tyler Moore."
“Mary Tyler Moore” was still a hit when the star decided to pursue other interests, and so it was brought to an end in the seventh season with a hilarious finale in which all of the principals were fired except for the bumbling Baxter.
Asner went immediately into “Lou Grant,” his character moving from Minneapolis to Los Angeles to become city editor of the Tribune, a crusading newspaper under the firm hand of Publisher Margaret Pynchon, memorably played by Nancy Marchand.
Asner won three best supporting actor Emmys on “Mary Tyler Moore” and two best actor awards on “Lou Grant.” He also won Emmys for his roles in the miniseries “Rich Man, Poor Man” (1975-1976) and “Roots” (1976-1977).
He had more than 300 acting credits and remained active throughout his 70s and 80s in a variety of film and TV roles. In 2003, he played Santa Claus in Will Ferrell’s hit film “Elf.” He was John Goodman’s father in the short-lived 2004 CBS comedy “Center of the Universe” and the voice of the elderly hero in the hit 2009 Pixar release, “Up.” More recently, he was in such TV series as “Forgive Me” and “Dead to Me.”
Nonetheless, Asner told The Associated Press in 2009 that interesting roles were hard to come by.
“I never get enough work,” he said. “It’s the history of my career. There just isn’t anything to turn down, let me put it that way.”
“I’d say most people are probably in that same boat, old people, and it’s a shame,” he said.
As Screen Actors Guild president, the liberal Asner was caught up in a political controversy in 1982 when he spoke out against U.S. involvement with repressive governments in Latin America. “Lou Grant” was canceled during the furor that followed and he did not run for a third SAG term in 1985.
Asner discussed his politicization in a 2002 interview, noting he had begun his career during the McCarthy era and for years had been afraid to speak out for fear of being blacklisted.
Then he saw a nun’s film depicting the cruelties inflicted by El Salvador’s government on that country’s citizens.
“I stepped out to complain about our country’s constant arming and fortifying of the military in El Salvador, who were oppressing their people,” he said.
Former SAG President Charlton Heston and others accused him of making un-American statements and of misusing his position as head of their actors union.
“We even had bomb threats at the time. I had armed guards,” Asner recalled.
The actor blamed the controversy for ending the five-year run of “Lou Grant,” although CBS insisted declining ratings were the reason the show was canceled.
Although the show had its light moments, its scripts touched on a variety of darker social issues that most series wouldn’t touch at the time, including alcoholism and homelessness. Asner remained politically active for the rest of his life and in 2017 published the book “The Grouchy Historian: An Old-Time Lefty Defends Our Constitution Against Right-Wing Hypocrites and Nutjobs.”
Asner, born in Kansas City, Missouri, in 1929, almost became a newsman in real life. He studied journalism at the University of Chicago until a professor told him there was little money to be made in the profession.
He quickly switched to drama, debuting as the martyred Thomas Becket in a campus production of T.S. Eliot’s “Murder in the Cathedral.”
He eventually dropped out of school, going to work as a taxi driver and other jobs before being drafted in 1951. He served with the Army Signal Corps in France.
Returning to Chicago after military service, he appeared at the Playwrights Theatre Club and Second City, the famed satire troupe that launched the careers of dozens of top comedians.
Later, in New York, he joined the long-running “The Threepenny Opera” and appeared opposite Jack Lemmon in “Face of a Hero.”
Arriving in Hollywood in 1961 for an episode of television’s “Naked City,” Asner decided to stay and appeared in numerous movies and TV shows, including the film “El Dorado,” opposite John Wayne; and the Elvis Presley vehicles “Kid Galahad” and “Change of Habit.” He was a regular in the 1960s political drama series “Slattery’s People.”
He was married twice, to Nancy Lou Sykes and Cindy Gilmore, and had four children, Matthew, Liza, Kate and Charles.
Actor Ed Asner, TV's blustery Lou Grant, dies at 91
Actor Ed Asner, the blustery but lovable Lou Grant in two successful television series, has died
LOS ANGELES -- Ed Asner, the burly and prolific character actor who became a star in middle age as the gruff but lovable newsman Lou Grant, first in the hit comedy “The Mary Tyler Moore Show” and later in the drama “Lou Grant,” died Sunday. He was 91.
Asner's representative confirmed the actor's death in an email to The Associated Press. Asner's official Twitter account included a note from his children: “We are sorry to say that our beloved patriarch passed away this morning peacefully. Words cannot express the sadness we feel. With a kiss on your head- Goodnight dad. We love you.”
Built like the football lineman he once was, the balding Asner was a journeyman actor in films and TV when he was hired in 1970 to play Lou Grant on "The Mary Tyler Moore Show.” For seven seasons he was the rumpled boss to Moore’s ebullient Mary Richards (He called her “Mary,” she called him “Mr. Grant”) at the fictional Minneapolis TV newsroom where both worked. Later, he would play the role for five years on “Lou Grant.”
Asner’s character had caught on from the first episode of “Mary Tyler Moore,” when he told Mary in their initial meeting, “You’ve got spunk. ... I hate spunk!” The inspired cast included Ted Knight as Ted Baxter, the dimwitted news anchor; Gavin MacLeod as Murray Slaughter, the sarcastic news writer; and Betty White as the manipulative, sex-obsessed home show hostess Sue Ann Nivens. Valerie Harper and Cloris Leachman, playing Mary’s neighbors, both saw their characters spun off into their own shows.
Asner is the third “Mary Tyler Moore” alum to die in recent months. Leachman died in January and MacLeod died in May.
The 99-year-old White is the lone surviving main cast member from “Mary Tyler Moore."
“Mary Tyler Moore” was still a hit when the star decided to pursue other interests, and so it was brought to an end in the seventh season with a hilarious finale in which all of the principals were fired except for the bumbling Baxter.
Asner went immediately into “Lou Grant,” his character moving from Minneapolis to Los Angeles to become city editor of the Tribune, a crusading newspaper under the firm hand of Publisher Margaret Pynchon, memorably played by Nancy Marchand.
Asner won three best supporting actor Emmys on “Mary Tyler Moore” and two best actor awards on “Lou Grant.” He also won Emmys for his roles in the miniseries “Rich Man, Poor Man” (1975-1976) and “Roots” (1976-1977).
He had more than 300 acting credits and remained active throughout his 70s and 80s in a variety of film and TV roles. In 2003, he played Santa Claus in Will Ferrell’s hit film “Elf.” He was John Goodman’s father in the short-lived 2004 CBS comedy “Center of the Universe” and the voice of the elderly hero in the hit 2009 Pixar release, “Up.” More recently, he was in such TV series as “Forgive Me” and “Dead to Me.”
Nonetheless, Asner told The Associated Press in 2009 that interesting roles were hard to come by.
“I never get enough work,” he said. “It’s the history of my career. There just isn’t anything to turn down, let me put it that way.”
“I’d say most people are probably in that same boat, old people, and it’s a shame,” he said.
As Screen Actors Guild president, the liberal Asner was caught up in a political controversy in 1982 when he spoke out against U.S. involvement with repressive governments in Latin America. “Lou Grant” was canceled during the furor that followed and he did not run for a third SAG term in 1985.
Asner discussed his politicization in a 2002 interview, noting he had begun his career during the McCarthy era and for years had been afraid to speak out for fear of being blacklisted.
Then he saw a nun’s film depicting the cruelties inflicted by El Salvador’s government on that country’s citizens.
“I stepped out to complain about our country’s constant arming and fortifying of the military in El Salvador, who were oppressing their people,” he said.
Former SAG President Charlton Heston and others accused him of making un-American statements and of misusing his position as head of their actors union.
“We even had bomb threats at the time. I had armed guards,” Asner recalled.
The actor blamed the controversy for ending the five-year run of “Lou Grant,” although CBS insisted declining ratings were the reason the show was canceled.
Although the show had its light moments, its scripts touched on a variety of darker social issues that most series wouldn’t touch at the time, including alcoholism and homelessness. Asner remained politically active for the rest of his life and in 2017 published the book “The Grouchy Historian: An Old-Time Lefty Defends Our Constitution Against Right-Wing Hypocrites and Nutjobs.”
Asner, born in Kansas City, Missouri, in 1929, almost became a newsman in real life. He studied journalism at the University of Chicago until a professor told him there was little money to be made in the profession.
He quickly switched to drama, debuting as the martyred Thomas Becket in a campus production of T.S. Eliot’s “Murder in the Cathedral.”
He eventually dropped out of school, going to work as a taxi driver and other jobs before being drafted in 1951. He served with the Army Signal Corps in France.
Returning to Chicago after military service, he appeared at the Playwrights Theatre Club and Second City, the famed satire troupe that launched the careers of dozens of top comedians.
Later, in New York, he joined the long-running “The Threepenny Opera” and appeared opposite Jack Lemmon in “Face of a Hero.”
Arriving in Hollywood in 1961 for an episode of television’s “Naked City,” Asner decided to stay and appeared in numerous movies and TV shows, including the film “El Dorado,” opposite John Wayne; and the Elvis Presley vehicles “Kid Galahad” and “Change of Habit.” He was a regular in the 1960s political drama series “Slattery’s People.”
He was married twice, to Nancy Lou Sykes and Cindy Gilmore, and had four children, Matthew, Liza, Kate and Charles.
bigun
Red Skull Member
Safe Dude
Well-known member
Ron Bushy Drummer for
"The Iron Butterfly" dead at 79
"The Iron Butterfly" dead at 79
nahmus
Refugee from syrup
rip ed asner
santaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaa
santaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaa
SanDiegoCJ
Non-Lemming
SanDiegoCJ
Non-Lemming
Victoria Paris, dead at 60.
Pukemaggots
Thundercougarfalconbird
TheLivingBubba
Well-known member
‘The Wire’ actor Michael K. Williams found dead in NYC apartment
“The Wire’’ actor Michael K. Williams was found dead of a suspected drug overdose in his Brooklyn penthouse Monday afternoon, law-enforcement sources told The Post.
nypost.com
FJC11
# FJB
Yeah he was on another board I frequent ( gunsnet ) worlds biggest Obama supporter and jackoff .
scooter2374
walk home clown
Fucking shame, I love The Wire.‘The Wire’ actor Michael K. Williams found dead in NYC apartment
“The Wire’’ actor Michael K. Williams was found dead of a suspected drug overdose in his Brooklyn penthouse Monday afternoon, law-enforcement sources told The Post.
nahmus
Refugee from syrup
The wire was one of the best shows ever on tv‘The Wire’ actor Michael K. Williams found dead in NYC apartment
“The Wire’’ actor Michael K. Williams was found dead of a suspected drug overdose in his Brooklyn penthouse Monday afternoon, law-enforcement sources told The Post.
Jackie Treehorn
Well-known member
- Joined
- May 19, 2020
- Member Number
- 259
- Messages
- 1,006
Being the tallest man on the planet he was also the worlds biggest kiss ass, worlds biggest nose picker and worlds biggest Beatles fan.
I never saw the wire but he was on Hap and Leonard which was a pretty good show, too. It’s a shame.